The Basquiña: The Religious Garment Making a Fashion Comeback at Alicante's Bonfires

Black, austere, and majestic. The basquiña is once again gaining prominence in the streets of Alicante, much like it did in various parts of the Iberian Peninsula in the past.

"It is one of the garments that is on the rise," explains dressmaker Conchi Beneyto, as an exclusive gala outfit for the flower offering to the Virgin of Remedio.

This garment, traditionally made from silks, velvets, or satins, as documented in various historical records and research, was the Church's recommended option for attending mass since the 17th century.

It was worn over petticoats and aprons, and "endured over time, even reaching the 19th century," she details.

Documents, paintings, notarial acts, wills, and engravings—which serve as tools for the traditional clothing sector—attest to this garment.

Already in the wardrobe of Isabella the Catholic, these skirts were present. Also, in the 19th century, Goya immortalized it in his canvases.

Over time, its use was consolidated as a sign of social distinction: the fabrics varied according to status, from humble wools to "noble materials" like velvet and silk.

One of the curiosities of the past is reflected in the colour. "Black was the most difficult to dye," the dressmaker recounts. Therefore, the basquiña in this shade was one of the most expensive garments of the 18th century.

Today, in the 21st century, the interest in traditional clothing has led festival-goers with costumes to also commission the making of a basquiña.